Tom Beddard

Surface detail from subBlue on Vimeo.

Déplier l'infini.

Unfold infinite.

Sources : From Fifty Five, SubBlue on Vemeo

Noemie Goudal

Noemie Goudal, Les Amants (Cascade), Colour Photograph, 140 x 111 cm, 2009

Noemie Goudal, Les Amants (Promenade), Colour Photograph, 140 x 111 cm, 2010

Paysages imaginés.
Imagined landscapes.

Sources : Booooom, Noemie Goudal

Erik Betshammar

Erik Betshammar, Piles, 2008

Erik Betshammar, Piles, 2008

Erik Betshammar, Piles, 2008

Imagine la montagne.
Imagine the mountain.

Sources : Pytr 75, Erik Betshammar

Ansen Seale

Ansen Seale, Flux

Ansen Seale, Hallroaring Creek no.13

Ansen Seale, River of light

Ansen Seale, River of light

Répétition et lumière.
Repetition and light.

Sources : Wrong distance, Ansen Seale

Matthew Albanese

Matthew Albanese , Tornado made of steel wool, cotton, ground parsley and moss
Matthew Albanese , Mars # 2. Again, Paprika, cinnamon, thyme, chili powder, charcoal.
Matthew Albanese , Sugarland, Made out of 20 pounds of sugar, jello and corn syrup.

Matthew Albanese , Salt Water Falls Model made out of glass, plexiglass, tile grout, moss, twigs, salt, painted canvas & dry ice. The waterfall was created from a time exposure of falling table salt.

Paysages fabriqués.
Built landscapes.

Sources : GYcouture/design, Photography served, Matthew Albanese

Lisa Robinson

Lisa Robinson, Etching, Lake Superior, Wisconsin, 2009

Feuilles de glace.
Ice Sheets.

Sources : Lisa Robinson, Flak photo

Ruben Brulat

Ruben Brulat, Primates

L'homme dans le paysage
Human one in the landscape

Sources: Today&Tomorrow, Ruben Brulat

Guy Laramée

Guy Laramée, Historia das americas, 2009

Guy Laramée, Historia das americas (détail), 2009

Guy Laramée, La Grande bibliothèque (détail), 2003

Guy Laramée, Le naufrage du Hope : Hommage à Friedrich, 2006

Guy Laramée, Le naufrage du Hope : Hommage à Friedrich (détail), 2006

Sculpter le paysage.
To build landscape.

Sources: Galerie Lacerte, Galerie Orange

Mariela Neudecker

Mariela Neudecker, Heaven the sky, two part tank work, mixed media incl. water, resin, salt, mercury lamps, 2008


Mariela Neudecker, There go I, mixed media incl. water, salt, fiberglass, 2004

Mariela Neudecker, I Don’t Know How I Resisted the Urge to Run, mixed media incl. water, acrylic medium, salt, fibreglass, 1998

Paysage en boîte.
Box landscape.

Sources: Mariela Neudecker, Vvork

Amanda Hughen

Amanda Hughen, Erratic Jurisprudence, Mylar, ink, cardboard-core, 2005

Amanda Hughen, Immanent Departure, acrylic paint, ink on wood panel, 2005

Amanda Hughen, Vigorous Distribution (detail), Graphite and gesso on wood, 2003

Paysages géométriques.
Geometrical landscapes.

Sources: Amanda Hughen, of paper and things

David Burdeny

David Burdeny, Mercators Projection, Antarctica 2007

David Burdeny, Blue Monday, Antarctica 2007

David Burdeny, Tabulars in Hope Bay, Antarctica 2007

David Burdeny, Gilkey Glacier #3, Alaska 2008

David Burdeny, Pack Ice, Weddell Sea, Antartica 2007

Paysage gelé.
Frozen landscape.

Source: Young Gallery

Tviga

Tviga, soundstills 0.00002

Tviga, soundstills 0.00002

Tviga, soundstills 0.00002

« For this body of work I went to an English wood to record different ’natural’ sounds, the ones unique to that landscape. Then I went to an equivalent location in my homeland, Russia and made 6 sculptural interpretations of the English sounds. These objects are manifestations of sound waves, and they float their tacit information in a similar, but very different landcsape. »

Tviga, soundstills 0.00001

«The white forms in these photographs are the sculptural manifestations of audio footage that was recorded along the border between Russia and Finland. Here the unique old-growth forests stand, The Green Belt of Fennoscandia. Recently these ancient trees are being logged for their valuable timber. There are only few remaining areas of ancient forest in Europe with the vast majority of the vanishing old-growth forests remaining are in the North of European Russia.

The soundwaves are actual objects, each is 6 metres high, reminiscent of the height of a tree, despite looking like digital intervention. I recorded them when the forest was still there. Then, when the trees had gone, I put the ‘sounds’ back to where they used to exist, sounds that look like trees that will never be heard again.»

Interprétations sonores de paysages.
Sound interpretations of landscapes.

Sources: Antitect, Tviga

Matthew Walkerdine

Matthew Walkerdine, Unfocussed Eyes, at The Frontroom in Cambridge

Matthew Walkerdine

Matthew Walkerdine

Répétitions, erreurs et mémoire.
Repetitions, mistakes and memory.

Sources: From Fifty Five, Damn Sea Legs

Jerzy Goliszewski

Jerzy Goliszewski, Lac bleu

Étude des formes et constructions créées par la nature.
Study of forms and constructions created by nature.

Voir un projet similaire de Maya Lin ici / See a similar project of Maya Lin here
Voir un autre projet de Jerzy Goliszewski ici / See another project of Jerzy Goliszewski here

Sources: Societe 6, Jerzy Goliszewski

Niklas Goldbach

Niklas Goldbach, Empire, Video Tryptich, HD Video, PAL, Stereo, 2008

Niklas Goldbach, Empire, Video Tryptich, HD Video, PAL, Stereo, 2008

Voir les vidéos ici / See the videos here


Niklas Goldbach, Untitle (Buildings Series),10 Digital C-Prints on Photo Archive Paper, 24 x 30 cm, 2008

Niklas Goldbach, Untitle (Buildings Series),10 Digital C-Prints on Photo Archive Paper, 24 x 30 cm, 2008


Niklas Goldbach, Untitle (Buildings Series),10 Digital C-Prints on Photo Archive Paper, 24 x 30 cm, 2008

Questionner l'espace et le détail.
To question space and the detail.

Sources: Today & Tomorrow, Niklas Goldbach

Materials & Applications

Recherche très intéressante!
Very interesting search!

Sources: Interactive architecture, Materials & Applications

Nikolaj Recke

Nikolaj Recke, 10 Meters of Extended German Coastline (2006)

Modifier le paysage.
To modify the landscape.

Sources: Pan-Dan, Nikolaj Recke