Roberto Calbucci

Imaginaire shématique.
Shematic imaginary.

Sources: Lost at e minor, Roberto Calbucci

David Foessel

Détails d'espace.
Details of space.

Sources: PYTR75, David Foessel

Fred Lebain

Image et réalité.
Image and reality.

Sources: Today & Tomorrow, Fred Lebain

Mark Bradford

Mark Bradford, Game Recognize Game, Mixed media and paper collage, 2004

Mark Bradford, Black venus, mix media collage, 2005

Mark Bradford, Temporary, mix media collage and string, 2005

Mark Bradford, Temporary, detail, mix media collage and string, 2005

Mark Bradford, Grace & Measure, mix media collage on canevas, 2005

La ville en procédés mixtes.
Mix media city.

Sources: But does it float, Art : 21

Gelitin

Gelitin, Klunk Garden, 2009.

Gelitin, Klunk Garden, 2009.

Jardin humain.
Human garden.

Sources: Vvork, Gelitin

Vincent Mauger

Vincent Mauger, sans titre, polystyrène, 2009

Vincent Mauger, sans titre, tubes PVC, 2007

Vincent Mauger, sans titre, plaques de mélaminé, 2006

Vincent Mauger, sans titre, bois, mélaminé, 2006

Vincent Mauger, sans titre, parpaings, 2009

Espace mathématique.
Mathematical space.

Sources: Pan-Dan, Galerie LHK

Marc Augé sur notre rapport au monde et à l'espace

«Nous vivons dans un monde que nous n’avons pas encore appris à regarder. Il nous faut réapprendre à penser l’espace.»

Augé, Marc. (1992) Non-lieux, Introduction à une anthropologie de la surmodernité. Paris : Seuil, p.48

Marc Augé sur la notion de sens

« Ce qui est nouveau, ce n’est pas que le monde n’ait pas, ou peu, ou moins de sens, c’est que nous éprouvions explicitement et intensément le besoin quotidien de lui en donner un : de donner un sens au monde, non à tel village ou à tel lignage. Ce besoin de donner un sens au présent, sinon au passé, c'est la rançon de la surabondance évènementielle qui correspond à une situation que nous pourrions dire de « surmodernité » pour rendre compte de sa modalité essentielle : l’excès. »

Augé, Marc. (1992) Non-lieux, Introduction à une anthropologie de la surmodernité. Paris : Seuil, p.41-42

Thomas Hillier : The Emperor's Castle

Thomas Hillier, The Emperor's Castle

Thomas Hillier, The Emperor's Castle

Thomas Hillier, The Emperor's Castle

Thomas Hillier, The Emperor's Castle

Thomas Hillier, The Emperor's Castle

Thomas Hillier, The Emperor's Castle

Thomas Hillier, The Emperor's Castle

« For his student thesis project at the Bartlett School of Architecture, Thomas Hillier produced an immersive narrative world, complete with origami-filled hand-cut book pages and an elaborate model of the story's architectural landscape. Hillier's project was called The Emperor's Castle and it was inspired by the work of Japanese printmaker Hiroshige. » BLDG

Un monde de papier.
Paper world.

Sources: BLDG, Flickr set

Peter Kogler

Peter Kogler, Mumok, Wien, 2008

Peter Kogler, Museu Coleccao Berardo, Lissabon, 2009

Peter Kogler, Museu Coleccao Berardo, Lissabon, 2009

Peter Kogler, Galerie Mezzanin, Wien, 2007

Lieu psychique.
Psychic space.

Source: Peter Kogler

Kilian Rüthemann

Kilian Rüthemann, Masse Critique, 2008

Kilian Rüthemann, Masse Critique, 2008

Kilian Rüthemann, Masse Critique, 2008

Kilian Rüthemann, Masse Critique, 2008

Gratter la surface.
Surface scraped.

Sources: Today&Tomorrow, Kilian Rüthemann

Abigail Reynolds

Abigail Reynolds, The Music Room (2009) 49 x 29.5 cm, Cut and tiled book plates

Abigail Reynolds, Centrepoint (2008) with detail from side 25 x 18 cm, Cut and tiled book plates

Abigail Reynolds, Great Court (2008), 28 x 23 cm Cut and tiled book plates

Photographies pliées.
Folded photographs

Sources: Today & Tomorrow, Abigail Reynolds

Danny Wills

Danny Wills, Analog vs digital, 2008

Danny Wills, Analog vs digital, 2008

Deux images.
Two images.

Sources: Of paper and things, Danny Wills

Tara Donovan

Tara Donovan, Untitled, 2003, Styrofoam Cups, Hot Glue, Dimensions Variable, Ace Gallery Los Angeles, 2005

Tara Donovan, Untitled, 2003, Styrofoam Cups, Hot Glue, Dimensions Variable, Ace Gallery Los Angeles, 2005

Tara Donovan, Haze, 2003, Stacked Clear Plastic Drinking Straws, 12' 7"(H) x 42' 2"(W) 7 3/4"(D), Ace Gallery New York

Tara Donovan, Haze, 2003, Stacked Clear Plastic Drinking Straws, 12' 7"(H) x 42' 2"(W) 7 3/4"(D), Ace Gallery New York



Paysage de plastique.
Plastic landscape.

Source: Ace Gallery

Robin Rhode and Leif Ove Andsnes

Digital animation © Robin Rhode, Promenade (Still), 2008/2009, Visual component for Pictures Reframed.

Digital animation © Robin Rhode, Promenade (Still), 2008/2009, Visual component for Pictures Reframed.

Digital animation © Robin Rhode, Promenade (Still), 2008/2009, Visual component for Pictures Reframed.

Digital animation © Robin Rhode, Promenade (Still), 2008/2009, Visual component for Pictures Reframed.


Digital animation © Robin Rhode, Promenade (Still), 2008/2009, Visual component for Pictures Reframed.

Leif Ove Andsnes and Robin Rhode, Pictures Reframed (Performance Documentation), 2009
Risør Festival of Chamber Music, Risør, Norway, Image courtesy of EMI Classics and Perry Rubenstein Gallery, New York // © NRK

Digital animation © Robin Rhode, Promenade (Still), 2008/2009, Visual component for Pictures Reframed.

Piano et dessin.
Piano and drawing.

« These two artists will join forces for the first time and we believe that the result will be simply striking as the two original exceptional artists will outperform their selves - South African-born, Berlin-based visual artist Robin Rhode and multiple Grammy Award-winning Norwegian pianist Leif Ove Andsnes who is represented by EMI — will collaborate on Mussorgsky’s epic piano suite Pictures at an Exhibition. Leif Ove will be performing the piano recital, while Rhode has made a series of films that are to be are projected on screens behind the piano in an attempt to recreate the experience of looking at paintings while listening to Mussorgsky’s epic piano suite. » Marcia Argyriades for Yatzer

Sources: Picture Reframed, Yatzer, Of paper and thing