Laura d'Ors

Juste une image...
Just an image...

Sources: I heart photograph, Laura d'Ors

Florian Rexroth

Emballer la ville.

Sources: Breton & Garten, Florian Rexroth

Walking Berlin by Fantastic Norway

Fantastic Norway, Walking Berlin, 2009

Fantastic Norway, Walking Berlin, 2009

Fantastic Norway, Walking Berlin, 2009

Immeubles mobiles.
Mobile buildings.

Sources: Fantastic Norway, Dezeen

Agustin Sirai

La structure du paysage.
The structure of the landscape.

Sources: Booom, Agustin Sirai

Jan Kempenaers

Jan Kempenaers, Spomenik #4, 2007 / 101 cm X 124 cm

Jan Kempenaers, Spomenik #14, 2007 / 101 cm X 124 cm

Jan Kempenaers, Spomenik #15, 2007 / 101 cm X 124 cm

Monument et nature.
Monument and nature.

Sources: Fffound, Crown Gallery

Erin Morrison

Organique et inorganique.
Organic and inorganic

Sources: Boooooom, Erin Morrison

Davidson Rafailidis

Davidson Rafailidis, Selective Insulation, This small study as a room in a room. The shape is defined by a few parameters: the daylight conditions, 2 people need a minimum of 4m² desk-related office space and they wanted to have desk, a window and a way to enter/exit. The whole framework is quite simple and wrapped with an insulating layer of double-ply bubblewrap.

Une pièce dans une pièce...
A room in a room...

Sources: Today & Tomorrow, Davidson Rafailidis

Jorge Macchi

Jorge Macchi, Still song, 2005, Disco ball in an empty room. 400 x 600 x 300 cm
Installation at The experience of art, curated by Maria de Corral, Venice Biennale 2005.

Jorge Macchi, Still song, 2005, Disco ball in an empty room. 400 x 600 x 300 cm
Installation at The experience of art, curated by Maria de Corral, Venice Biennale 2005.

Jorge Macchi, Still song, 2005, Disco ball in an empty room. 400 x 600 x 300 cm
Installation at The experience of art, curated by Maria de Corral, Venice Biennale 2005.

Jorge Macchi, Un charco de sangre,(A pool of blood), 1998-2004
Newspaper cuts on the wall. Installation at Muca Roma, Mexico City 2004. 600 cm

Jorge Macchi, Horizonte, 1995, Color print, glass, springs, nails. 12 x 40 cm.

Jorge Macchi, Shy, 2008, Paper

Jorge Macchi, Shy, 2008, Paper


La sensibilité de l'espace.
Sensitivity of space.

Sources: Vvork, Jorge Macchi

Pravdoliub Ivanov

Pravdoliub Ivanov, Enlightenment, 2008, Wall intervention, acrylic paint, dimentions variable, installation view from ARC Projects, Sofia

Pravdoliub Ivanov, Enlightenment, 2008, Wall intervention, acrylic paint, dimentions variable, installation view from ARC Projects, Sofia

Lumière & matière.
Light & texture.

Sources: Wrongdistance, Pravdoliub Ivanov

Fredo Viola

Ville tournante.
Moving city.

Source: Fredo Viola

Alex McLeod

Paysages 3D.
3D landscapes.

Source: Alex McLeod

Multitouch Barcelona

Interface humain.
Human interface.

Sources: Multitouch Barcelona, Lost at e manor

Niklas Goldbach

Niklas Goldbach, Empire, Video Tryptich, HD Video, PAL, Stereo, 2008

Niklas Goldbach, Empire, Video Tryptich, HD Video, PAL, Stereo, 2008

Voir les vidéos ici / See the videos here


Niklas Goldbach, Untitle (Buildings Series),10 Digital C-Prints on Photo Archive Paper, 24 x 30 cm, 2008

Niklas Goldbach, Untitle (Buildings Series),10 Digital C-Prints on Photo Archive Paper, 24 x 30 cm, 2008


Niklas Goldbach, Untitle (Buildings Series),10 Digital C-Prints on Photo Archive Paper, 24 x 30 cm, 2008

Questionner l'espace et le détail.
To question space and the detail.

Sources: Today & Tomorrow, Niklas Goldbach

Daniel Widrig

Quelques images extraordianires.
Some extraordinary images.

Sources: Daniel Widrig

Andreas Nicolas Fischer

Andreas Nicolas Fischer, A Week in the Life, 2008

Andreas Nicolas Fischer, (detail) A Week in the Life is a visualisation of telecommunications data. The data sculpture represents my movement and communication made with my cell phone in one week. With this project I want to make people aware of the german telecommunications data retention act (Vorratsdatenspeicherung) which requires the telecommunications providers to collect the connection data of all customers, which is an unneccessary breach of privacy. What can be read from the sculpture is my position in the city through the cell sites I used., 2008

Andreas Nicolas Fischer, Poplar plywood; 80 × 140 × 35 cm; 3 Days in the Life is a visualisation of telecommunications data. The data sculpture represents my movement and communication made with my cell phone during 3 days. 2008

Andreas Nicolas Fischer, Beech wood, poplar plywood; 40 × 60 × 20 cm; The data sculpture Fundament shows the allocation of the world’s gross domestic product in comparison to the worldwide derivatives volume. The statistical data was aquired from the CIA World Factbook and the International Monetary Fund. The sculpture consists of two layers which visualize two data sets with the same principle. The lower half is a mapping of the world’s GDP and the top half is a mapping of the derivatives volume, alloted to the coordinates of the countries on a map. This sculpture is a statistical map, a hybrid between physical and conceptual space. 2008

Andreas Nicolas Fischer, Poplar plywood, paint; 46 × 140 × 120 cm, Indizes is a data sculpture visualizing the stock market indices S & P 500, Dow Jones Industrial and NASDAQ in the year 2008 from january to november. The values are shown on the three peaks of the five rows of polygons. The data was provided by Google Finance. 2008

Systèmes et structures.
Systems and structures.

Sources: Ffffound, Andreas Nicolas Fischer

Roof garden: photo by Peter Mauss

View of South Roof detail (Photo: Peter Mauss/ESTO)

View from Warwick Hoel, Sixth Avenue and 54th Street (Photo: Peter Mauss/ESTO)

View from top of 40 W 53rd Street (Photo: Peter Mauss/ESTO)

Jardins sur les toits.
Roof garden.

Sources: Pruned, Amercican society of landscapes architects

Elisa Strozyk

Elisa Strozyk, Wooden textiles

Elisa Strozyk, Wooden textiles

Elisa Strozyk, Wooden textiles

Elisa Strozyk, Wooden textiles

Elisa Strozyk, Wooden textiles

Surface et texture.
Surface and texture.

Sources: fffound, Elisa Strozyk

Carsten Nikolai

Carsten Nikolai, Syn Chron

Carsten Nikolai, Syn Chron

Carsten Nikolai, Syn Chron

Structure animée par la lumière.
Structure animated by the light.

Sources: Today & Tomorrow, Carsten Nikolai

Val Britton

Val Britton, Continental Drift 2006, Ink, graphite, tape, collage and cut-out on paper, approx. 10' x 10'

Val Britton, oceanic drift #7 (detail 1) 2008, 40" x 60", ink, collage, and cutout on paper

Val Britton, Continental Drift (detail), 2006, Ink, graphite, tape, collage and cut-out on paper, approx. 10' x 10'

Val Britton, Continental Drift (detail) 2006, Ink, graphite, tape, collage and cut-out on paper, approx. 10' x 10'

Continents de papier.
Paper continents.

Sources: Moon River, Val Britton

Materials & Applications

Recherche très intéressante!
Very interesting search!

Sources: Interactive architecture, Materials & Applications