dimanche 20 janvier 2008

Abigail Reynolds

Abigail Reynolds, Mont Fear statistics for crimes with offencive weapon South London, 2002

Abigail Reynolds, Mont Fear statistics for crimes with offencive weapon South London, 2002

Abigail Reynolds, Mont Fear East London, 2002-3

''The terrain of Mount Fear is generated by data sets relating to the frequency and position of urban crimes. Precise statistics are provided by the police. Each individual incident adds to the height of the model, forming a mountainous terrain.All Mount Fear models are built on the same principals. The imaginative fantasy space seemingly proposed by the scupture is subverted by the hard facts and logic of the criteria that shape it. The object does not describe an ideal other-worldly space separated from lived reality, but conversely describes in relentless detail the actuality of life on the city streets.''

Abigail Reynolds, Shape shift landscape in Motion, 2007

''This artwork takes the geology of the Jurassic coast – 185 million years of the earth’s history – as it’s starting point. To create this sculpture, visual artist Abigail Reynolds worked with two scientists; Sam Gibbs, a micropalentologist from Southampton Oceanography Centre, and mathematician Bjorn Stanstede from the University of Surrey. Together with a small group from the local community they considered the landscape around Durlston Country Park.''


Paysage en mouvement...
Landscape moving...

Sources: Vvork , Abigail Reynolds

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